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Safeguarding the Human Person in the Time of Artificial Intelligence

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Pope Leo XIV released his first encyclical letter yesterday; it’s entitled Magnifica Humanitas Of His Holiness Pope Leo XIV On Safeguarding the Human Person In the Time of Artificial Intelligence. It is very long and I haven’t been able to read the whole thing; here’s a taste:

It is not possible to provide a single, comprehensive definition of AI. What can be stated, however, is that we must avoid the misconception of equating this type of “intelligence” with that of human beings. These systems merely imitate certain functions of human intelligence. In doing so, they often surpass human intelligence in speed and computational capacity, offering tangible benefits across many fields. Yet this power remains entirely tied to data processing. So-called artificial intelligences do not undergo experiences, do not possess a body, do not feel joy or pain, do not mature through relationships and do not know from within what love, work, friendship or responsibility mean. Nor do they have a moral conscience, since they do not judge good and evil, grasp the ultimate meaning of situations, or bear responsibility for consequences. They may imitate language, behavior and analytical skills, or even simulate empathy and understanding, but they do not understand what they produce, for they lack the affective, relational and spiritual perspective through which human beings grow in wisdom. Even when these tools are described as capable of “learning,” their way of doing so is different from that of a human person. It is not the experience of those who allow themselves to be shaped by life and grow over time through choices, mistakes, forgiveness and fidelity. Rather, it is a form of statistical adaptation based on data and feedback, which can be very effective, but does not imply inner growth.

You can replace “AI”, “tools”, and “systems” in that paragraph with “a certain sort of amoral tech billionaire like Musk, Andreessen, and Thiel” or “a data-driven business focused solely on maximizing shareholder value” and it’s no less true. (“It’s just business.”)

Simon Willison’s notes on the encyclical are interesting; he calls it “some of the clearest writing I’ve seen on the ethics of integrating AI into modern society”. I noted this part as well while skimming through:

For individuals as well as for nations, development is both a duty and a right. Minimum conditions are required for enabling every person and people to flourish in accord with their dignity, without being kept in a state of dependence or excluded from access to necessary goods. Development is truly human when it places people at the center instead of the accumulation of wealth, and when it concerns peoples as well as individuals. Justice demands the recognition of the rights of society and the rights of peoples, and includes a responsibility toward future generations. Development is not truly human if it increases consumption for some while shifting costs and burdens onto others, or relegates entire regions to subordinate roles, preventing them from realizing their full potential.

And:

The use of AI is never a purely technical matter: when it enters processes that affect people’s lives, it touches on rights, opportunities, status and freedom. Important and sensitive decisions — concerning employment, credit, access to public services or even a person’s reputation — risk being fully delegated to automated systems that do not know “compassion, mercy, forgiveness, and above all, the hope that people are able to change,” and can therefore give rise to new forms of exclusion.

The Catholic Church is the Catholic Church, but plain language with some real thought and tradition behind it is welcome in the AI discussion. As Tim Carmody says:

I’ve said it before but it’s something else to watch a gifted author (with a team of talented researchers) discuss AI with the weight of a 2000-year intellectual and moral tradition behind them, both reckoning with that tradition and trying to project far into the future. Very different from “how will this affect Nvidia’s stock price”.

And Chris Xu:

Skimmed the encyclical and was repeatedly struck by how shocking (good) it feels to read a coherent institutional vision / strategy for how to maneuver through These Times rooted in common sense and firm principles. We have been intellectually failed and starved by so many other institutions.

You can read the whole thing in English (and nine other languages) on the Holy See’s website or read a summary.

Tags: artificial intelligence · Pope Leo XIV · religion

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candu
5 hours ago
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250 to 250. We Are America.

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The 250th birthday of the United States is coming up and I know many of us are having a tough time feeling celebratory because *waves hands around at everything*. To mark the occasion in a decidedly non-jingoistic manner, historian Heather Cox Richardson is producing a series of one-minute videos, each featuring one of “the many people, places, and events that have built our country and remind us of the power of each person to make history”. From the introductory video above:

From the time of our country’s founding 250 years ago, the story of America has been one of the constant efforts of Americans — from all races, ethnicities, genders, and abilities — to make real the belief that we are all created equal and have a right to have a say in our democracy.

Among the first group of videos are those about the AIDS Memorial Quilt (narrated by founder Cleve Jones), the battles of Lexington and Concord (narrated by Massachusetts governor Maura Healey), John Peter Zenger (narrated by Jelani Cobb), and the Erie Canal (narrated by Pete Buttigieg).

You can find the rest of the videos, as well as future installments, in this playlist on YouTube. Richardson wrote about the project for her newsletter:

We designed the videos to emphasize the agency of Americans—mostly everyday Americans—to change the country. Each falls into a category that defines what it means to be an American, including community, democracy, innovation, mobility, civil rights, education, conservation, and creativity.

Tags: Heather Cox Richardson · history · usa · video

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candu
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Some notes on how we ended up with Palantir & how to replace it

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There is justified anger about governments relying on Palantir software. There are also calls to write replacement software, perhaps imbued with European values, and with less fascism. And I’d love for that to happen pronto, but first we need to understand a few things. It is not just the software. Image by Mariia Shalabaieva on Unsplash “Palantir is often called a data broker, a data miner, or a giant database of personal information.
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candu
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(One) Good AI Is Here

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The cultural battles over AI have broken down over predictable lines in the past few years, with critics rightfully calling out the big AI platforms for training on content without consent, recklessly building without considering environmental impact, and designing platforms that are unaccountable because their code and weights (the parameters that describe how an AI model works) aren’t open for third-parties to evaluate. The AI zealots have done themselves no favors, by not only dismissing all of these valid criticisms, but by also making increasingly outlandish and extreme claims about the capabilities of the Big AI platforms, while simultaneously scaremongering about the brutal effect they’ll have on people’s lives and careers. It’s no wonder the public sentiment about AI has become so negative.

But a small cohort of us who are curious about LLMs as a technology, yet deeply critical of Big AI companies for their impact on society, have been asking what would “good” AI look like? Is it possible to make versions of these technologies that provide real benefits, and actually help people, without all of the attendant harms? We’ve had prior eras of machine learning tools that were useful technologies without being massively destructive — are the negative externalities intrinsic to LLMs in general?

We might have just gotten our first glimpse at an AI that’s actually good.

This is just one small example that I saw recently, in a very unexpected place, but I can’t get it out of my mind. It’s not a tool that every person in the world is going to use, but it feels a bit like the famous William Gibson quote, “The future is already here — it's just not very evenly distributed.” This might be a little tiny bit of a good AI future, and now we just need to distribute the same kind of thing to a lot more people.

What’s good? Something that checks every box I can think of for our most immediately positive goals: it’s trained entirely with data that were consensually gathered; it’s completely open source and open weights, so anybody can examine it to know exactly how it works and what biases or flaws it might have; it’s designed to run on ordinary computers that normal people have access to — including those that can run entirely on renewable and responsible energy sources. And it is controlled by creators, not extractors, people who are inarguably on the side of artists and creatives and those who make art and culture in the world, designed to support and enable and empower their expression. No billionaires or guests of Epstein’s island were involved in the creation of this technology.

Going Green

Let’s back up a little bit. Corridor Digital is a video production shop and content studio that have been popular on YouTube since the earliest days of its independent filmmaking community. They’ve stayed relevant through many changing trends and format shifts, most recently becoming wildly popular for their ongoing series of video reactions to the visual effects and stunt sequences in popular films and TV shows. Over time, the series has earned a ton of respect from many of the top practitioners in the industry from areas like VFX, stunt work, animation, and more. They even went direct to their fans with a nice subscription service, helping support their work directly.

But still, this was basically a bunch of (mostly) guys making videos. Until something interesting happened recently.

Niko Pueringer, one of the cofounders of Corridor Digital, and one of the more prominent on-screen characters in their filmed content, is not a software developer. Then, a few weeks ago, he decided he had reached a breaking point in one of the challenges that effects artists regularly have to deal with: green screen keying. (That’s the process in which an artist extracts a foreground image from the green background when they’re creating a clip that will be composited together for an effects shot.) Basically, the current tools were crude enough that it felt like an almost manual process, requiring artists to painstakingly cut out images like they were snipping out pictures from a magazine with a dull pair of scissors.

So, Niko created a set of his own videos using CGI to simulate a green screen, and began training an AI model — in this case, a neural network — to learn how to key the footage that he'd generated for this purpose. (He was able to build the tools that carried out this training by asking one of the current popular commercial AI tools to help.) After a good bit of time, trial and error, and heavy computation, the end result was a system that was extremely effective at green screen keying. He even sent an early version of the system to other professionals in the industry to compare its results to their own commercial-grade tools, and they confirmed that it often performed comparably to some of the best tools on the market.

Niko made a video explaining the project — and released the code that would enable others to run the same tool for themselves. (Do check out the clip — the team have become very gifted storytellers, and the narrative does a wonderful job of bringing you along on the journey of the highs and lows of discovering how to try to invent something new.)

Opening up

Once the new tool, now called CorridorKey was out in the wild, a community rapidly formed, and instantly adopted the software into a full-fledged open source project — even though Niko had never led an open source project before. As is typical for such an enthusiast community, they were able to teach their leader about all the arcane processes involved in accepting code improvements from strangers around the world.

Within days, the community had made the tool significantly easier to use — especially for non-expert video editors who would struggle with the complexities of configuring conventional (super-nerdy) open source software. Other community members massively reduced the hardware requirements needed to perform the advanced video processing that the tool enables, moving from needing some of the most powerful workstations available to running on ordinary consumer desktop computers that many home filmmakers might have access to. And all of this for free. Many comparable tools would cost thousands, or even tens of thousands of dollars for video editing teams to use. As Niko said in his original video, he didn’t “want to pay rent for his paintbrush”.

In the follow-up video just two weeks later, it was clear that there had been an extraordinary response to the release of CorridorKey. And an even more extraordinary next milestone was achieved, with the announcement that Niko would be releasing all of the original training data for the creation of the tool — all of the videos and content used to create the model, so that others could replicate the work, or even create their own models if they wanted to improve upon the work itself.

For the technically-minded, CorridorKey is licensed under a modified Creative Commons license, with the intention of preventing commercial exploitation without consent. I’m sure this will prompt some hand-wringing about whether it fits everyone’s definitions of “open source”, but given that someone could certainly reimplement this approach from scratch, given all of the material that Niko and his community have shared, I think that’s a distinction without a difference. The larger point here about a turning point in the AI and LLM ecosystem is what is transformative for creators who’ve been beleaguered by the AI cheerleading for the last few years.

Importantly, using CorridorKey doesn’t impose any restrictions or obligations on people making videos. There’s no phoning home, no scraping of videos to be used for training models, not even collecting an email address for marketing purposes. It’s a stark contrast to what people are used to in the commercial software world, let alone the hyper-surveillance world of most Big AI companies.

Where does this lead?

Okay, so that’s one tool. But what if you’re not a video creator who does things with green screens? How does this help anybody else? There are a few really important breakthroughs here that start to help more people realize what’s possible.

  • The bad behaviors are a choice. The Big AI companies that take content without consent, or who refuse to let people see their code, or who insist they can’t give people control over how their models run and whether they are responsible about their environmental impact can now be definitively refuted. If this small team of creators who aren’t even a tech company can make an AI that does the right thing, how come the biggest companies in the world can’t?
  • It’s about purpose, not one-size-fits-all. There’s no risk that CorridorKey is going to tell kids to self-harm in the way that ChatGPT does. Because CorridorKey has a specific job to do. And that’s the way AI should work — solving a specific problem for a particular community, instead of trying to be all things to all people, which is when these platforms start becoming unaccountable and start harming massive numbers of people.
  • It’s under-hyped, not over-hyped. If anything, the launch of CorridorKey was buried towards the end of a longer video that was about the creative process; the launch video doesn’t even mention the name of the product! The creator doesn’t make any claims about how great it is, or say it’s better than anything else, or say it’s going to change the world. Instead, he’s humble and hopeful that it’s of use to a specific community, and they respond with enthusiasm and connection and collaboration to that sincerity. This isn’t a tool that needs to be shoved in anybody’s face.

All of these traits are things that can be replicated in many more fields, by many more passionate people who don’t have to necessarily be experts, but who care about displacing the tech tycoons’ one-size-fits-all platforms with something that is human-scale and accountable.

For years, I’ve had this conviction that a better AI is possible, and I understand why many people have felt I was being naive, or that the way tech is today makes it impossible for such a thing to survive. But I think the tide is turning, and people are so fed up with the software-brained CEOs forcing things on them that they don’t want. That doesn’t mean that people hate technology! It just means that they hate what these dudes have made technology in to.

It’s nice to be reminded of what tech can be at its best. Sometimes it’s a thing that extracts exactly what we want to see from the background we’re trying to leave behind.

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Why are the Artemis II photos on Flickr?

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If you followed along with the recent joyful celebrations of the Artemis cruise around the moon, and took a moment to dive into the photographic archives of the mission, you might have noticed that all of the original images were shared by NASA on the venerable photo sharing service Flickr. What you might not know is… why?

Here’s the TL;DR:

  • Flickr comes from (and helped start!) the Web 2.0 era, which was based on users having control over their data
  • Tools at that time began giving creators the power to decide what license they wanted to release their content under, including permissions about how it could be shared, used, or remixed
  • Because the people who made platforms back then were users and creators themselves, they thought about the long term and wanted to be able to preserve people’s work
  • After lots of corporate shuffling, Flickr ended up in the hands of a family-owned company, SmugMug, and they made the Flickr Foundation to preserve public photos for the next 100 years
  • NASA’s images should only be on a service where they can be stored in full resolution, for the long term, dedicated to the public domain — which the other social media apps of today can’t do

The Photographic Record

First, some background for folks who might not know what Flickr is, or who may have forgotten. Flickr is a social sharing site for photography which was founded in 2004, and these days people might say that it shares some of its cofounders with Slack, though back when Slack started, everybody said that the company was started by some of the founders of Flickr. That’s because Flickr was arguably the most influential site of the Web 2.0 era, helping define everything from the user interface design to the bright colors to the easy way that developers could access data from the platform. A lot of the things that we take for granted on the modern social internet, like a friendly “voice” used to communicate to users, were pioneered by Flickr, and then quickly came to be considered standard expectations for the apps and sites that followed. It’s hard to imagine that sites from Tumblr to Grindr would have omitted their final “e”s without Flickr’s precedent.

Flickr spun out of a Canadian gaming company called Ludicorp, founded by Stewart Butterfield (later CEO/co-founder of Slack) and Caterina Fake (later an investor and chair of Etsy). The photo-sharing service was extracted from the pieces of a somewhat unsuccessful attempt at multiplayer gaming called “Game Neverending”, but it retained the playfulness of that game even as it became a social app. Flickr also inherited the fine-grained privacy controls and thoughtful community features of earlier social platforms like LiveJournal — along with being actively, intentionally moderated by actual humans who worked diligently to prevent destructive behaviors on the platform. This meant that, more than 20 years ago, this early photo sharing community typically had better social norms than people see on today’s social media apps. (A little side note: Part of Flickr/Ludicorp’s initial funding was with public money. What a remarkable way to fund lasting innovation!)

With all of these groundbreaking features, Flickr didn’t just inspire lots of other entrepreneurs to create a new wave of Web 2.0 startups, it also attracted millions of users who, for the first time, began taking photos with the primary goal of sharing them online. Prior to this moment, the earliest phones with decent cameras were coming to market (it would be years until the iPhone came out), and other photo services of the time were still often oriented towards taking film to processing facilities, and then having the professionals at those facilities scan the resulting images and post them to a clunky online service where you could tediously click through them in a virtual album. Until Flickr, photo sharing online was essentially still analog, even if the experience was technically happening online.

In Focus

Flickr wasn't a social platform first — it was a photography platform first. That means it was designed to store high-resolution versions of every image, and didn't distort pictures with things like filters. Every image showed details like what kind of camera had taken the photo, and even what specific settings were used to take the shot. People started building communities around the then-new idea of using tags to help them find content by topics online — an idea that would directly influence the creation of hashtags on Twitter a few years later.

Another core idea of the time was a firm belief in open data: people should own and control their own work. Eventually, some experts (including a then-teenage Aaron Swartz, who we'd later talk about in the early days of Markdown) created a set of standards called Creative Commons licenses, now maintained by an organization of the same name. Flickr made it easy for users to describe what permissions people had for reusing or remixing any photos they posted. (I was helping out with a blogging platform back then, and I think we were the first tool to support this stuff. It felt like a big deal at the time!)

People's Flickr images started popping up in corporate PowerPoint presentations or commercial advertising almost immediately. A little sidebar: the incredibly positive and generous intent of these open licenses has since been exploited by extractive Big AI companies, who ransacked all of the images on Flickr that had permissive licenses without any consent from, or compensation to, the creators. That might be legal by most readings of the licenses, but if you have hundreds of billions of dollars and don't think you should at least have a conversation with the photographers whose work you're using, you're probably an asshole.

Archival Prints

Our close-knit community of people building the new era of web apps was keenly aware that our users were creating culture. This realization brought a huge amount of responsibility — not just in enabling users to express themselves, but in thinking about the long term for people's ownership of their works. Public institutions had just begun to use these platforms, which meant that the content being shared wasn't just a nice picture to look at: it might be socially or even historically significant.

What happened in the years that followed was… a lot of corporate machinations. Flickr got bought by Yahoo. Flickr's founders left Yahoo. Yahoo got bought by Verizon. You can imagine how all of that went; the details aren't all that important, except to say that by the time Instagram launched, Flickr had begun to fade into obscurity. People were focused on mobile phones instead of the desktop, on sharing square images with filters instead of full-resolution photography, and on connecting socially instead of caring about photos as art or a cultural record. Nobody would post the canonical historical photo of an event with a Valencia filter on it. Most of Flickr's users moved on, rarely checking their old accounts — until a family-owned photo service named SmugMug bought the service from Yahoo. A human-scale operation with some actual heart and a love of photography was a much better home for the platform than some random division of Verizon.

Commons Sense

In 2022, the new team at SmugMug that owned Flickr decided to focus on Flickr’s larger place in culture. Many major institutions around the world had chosen to archive their public photos on Flickr because of its superior support for high-resolution imagery, its unique ability to declare explicit legal licenses (including public domain licenses), and its long-term reputation for reliably hosting content without any of the harms or abuses that typical social networks had inflicted on users. Museums around the world had entire catalogs on the platform, and governments routinely used it to document their public events. When I had a photo taken at an official White House event with President Obama, his team sent me the final image afterward by sending me a Flickr link; when Zohran Mamdani met King Charles, the NYC Mayor’s Office shared those pictures on Flickr, too.

The Flickr team at SmugMug did something special with their responsibility about these public works, due to their cultural significance to the world. They made the Flickr Commons, and brought in a team with expertise in digital archiving and community. This is a project of The Flickr Foundation, designed to preserve digital legacies, and begun in collaboration with no less than the U.S. Library of Congress (back before that was an institution under siege.) They are developing a hundred year plan for how to care for these works, which is virtually unheard-of in the digital world. (You should absolutely donate to support the Flickr Foundation in their mission to preserve these vital public resources for many years in the future.)

It’s in this context that NASA has long been sharing its imagery on Flickr, for all of its missions — not just Artemis II. There’s even a special section for NASA on The Commons. And since everything is provided in incredibly high-resolution and has every single detail about the photo and how it was taken, it’s possible to combine the information about the photo with other data and create amazing resources like this beautiful timeline of the entire mission. You can see Hank Green’s wonderful narration of his inspiration and creative journey behind the timeline right here:

Why Not With Us?

Anybody who’s read my site for a while knows that I’m a huge proponent of owning your own website, and having your own content live there. Shouldn’t NASA, of all institutions, have their photos live on their own nasa.gov website? Well, yes! But.

One complication is that many large institutions, especially ones that have developed complex processes for good reasons, like government agencies and big businesses, often have trouble maintaining public-facing web infrastructure over long timeframes. Running a website that millions of people can access requires constant updates and maintenance, guarding against a never-ending onslaught of security challenges (a task that’s rapidly getting more difficult!), and the internal knowledge on how a site was created in the first place often leaves when employees do.

In contrast, platforms that are run by technically fluent, well-intentioned and thoughtful technologists can be very effective in maintaining content over a timescale of decades. The SmugMug team has been very thoughtful in managing both their business and their technical infrastructure in order to sustain Flickr’s public archives for years to come. (Though, as mentioned, you should still donate to ensure they can keep doing so!)

What’s more painful is the more recent threats to public stewardship of this kind of content. The traditional authoritarian impulse to destroy or falsify the public record has not spared the digital realm under the current administration. Wide swaths of the government’s websites have been erased, taken offline, or had their content modified to either delete or adulterate the content. Leaders who regularly post AI slop on their social media accounts, and who have begun posting lies and distortions on major websites like the White House’s, will of course not hesitate to modify or remove photos from public archives as well. By having the public’s images preserved in an independent archive in standard formats, we increase the likelihood of future generations being able to access accurate copies of these historical records.

We’ll be glad to have archives like Flickr’s in the future, and people around the world will be glad for its place in archiving even much more mundane aspects of culture.

Taking off

I was honored to get to reflect on my long history with Flickr, and with online community, in an interview with my old friend Jessamyn West, for the Flickr Foundation’s blog. In a conversation that unspooled over a few months, I think we covered so many of the themes that resonated in what I’ve mentioned here, and what struck me most was how much I wanted a new generation of people on the internet to have their own version of the communities and experiences that we got to have when sites like Flickr were first being made. People still cherish those values!

The beautiful thing about communities and platforms like Flickr is that they remind us that not everything on the internet has to be ephemeral, not everything on the web has to be hyper-commercial. Sometimes a bunch of decent people can do a good thing for the right reasons, and the result of that work can persevere for decades. Then, others who do some of the most ambitious and astounding things imaginable can build on that work to inspire us. And then, some more regular folks can build on top of that and help us waste a little bit of time just clicking around on something fun. That’s what the internet is supposed to be about!

This isn’t just about recounting old web lore — this is about explaining the internet we have right now. Hank’s timeline site is brand new, entertaining a whole new generation, and probably the majority of the audience who are looking at it weren’t even born when Flickr was first conceived. But the reason he can build that site is because of the values and the inventiveness of the team and community who created a platform like Flickr — and because those kinds of values are durable. They might not be as loud or flashy, but they are still everywhere, quietly enabling a lot of the things we enjoy most every day.

Public dollars helped make a fascinating community, then public dollars enabled a breathtaking journey into space, and then a public commons helped a creator make a novel way to explore that journey. Lots of people chose, over and over, to be generous with their genius. These are all gifts that a bunch of strangers gave each other, over hundreds of thousands of miles, and many years. Inspiration is all around us!

A Setting Earth

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candu
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The Hormuz Choke Point and the Twilight of Petroleum

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After British troops had beaten German Field Marshal Erwin Rommel’s tank forces at the Second Battle of El Alamein in Egypt on November 4, 1942, British Prime Minister Winston Churchill declared, “This is not the end. It is not even the beginning of the end. But it is perhaps the end of the beginning.”

The same might now be said about humanity’s struggle to defeat the dire threat of global climate change caused by our never-ending burning of fossil fuels. The illegal war of aggression on Iran, abruptly launched on February 28, 2026, by the governments of Israeli Prime Minister Benjamin Netanyahu and President Donald Trump, has indeed provoked a global energy crisis of a unique kind. The Iranians, of course, responded by imposing a blockade on the Strait of Hormuz that promptly removed about 11% to 13% of all petroleum from the world market, day after day, week after week, setting off a cascade of steeply rising prices for diesel fuel, gasoline, and natural gas.

Donald Trump’s brilliant idea of joining the blockade of that Strait should be considered the equivalent of coming to the aid of a strangulation victim by pressing a pillow over his or her face. The shortages hit first in Asia (particularly reliant on fuel flows from the Strait of Hormuz) and Africa and then in Europe. The German air carrier Lufthansa only recently cut 20,000 summer flights for fear of fuel shortages (and it will undoubtedly prove all too typical). Nor will the U.S., despite having its own supplies of oil, escape such negative developments. While there have been oil price crunches before, as in the 1970s and 1980s, this one is different. It’s a watershed moment globally, heralding the Ragnarök — the Norse “twilight of the gods” — of petroleum.

Forced to Run on One Engine

While American drivers have been complaining this spring about high prices at the pump, in the Netherlands and Denmark consumers are already paying the stunning equivalent of around $10 a gallon. In Asia, where reliance on petroleum that travels through the Strait of Hormuz is enormous, the situation is far worse, since there are already distinct shortages of fuel of a staggering and still growing kind. Philippines President Ferdinand “Bongbong” Marcos, Jr., recently declared a national energy emergency, as his country had only a little over a month’s worth of petroleum left. Hundreds of gas stations, nearly 3% of the country’s total, announced temporary closures, resulting in long lines at those that remained open.

South Korea, which unwisely dragged its feet when it came to turning to green energy, is now scrambling to find just three months’ supply of petroleum from non-Hormuz sources, but the world’s 10th-largest economy faces a potential economic cataclysm. The government has already restricted parking for commuters. The rise in gasoline costs has led many consumers to simply stay home if they can, spurring a buying spree of novels and video games. South Korean President Lee Jae Myung, a human rights lawyer, implicitly blamed Israel’s blatant disregard for International Humanitarian Law for the calamity, engaging in a days-long internet flame war with Tel Aviv in early April.

In Bangladesh, the state-owned Eastern Refinery has been forced to close due to a lack of crude oil to process. Meanwhile, the government has allowed gasoline and diesel prices to rise by 11% to 15%, putting pressure on the costs of transportation, agricultural production, and consumer items, while creating endless lines for what gasoline remains. With boat operators, ferries, and fishing boats unable to secure enough diesel fuel for their motors, a whole range of livelihoods are being hurt. As  Al Jazeera reported, Bangladeshi ferry operator Abir Hussain typically offered this complaint: “We are struggling to maintain our regular schedule. We are forced to run on just one engine to conserve diesel, due to the fuel shortages.”

Heavily dependent on fossil gas for its electricity plants, Bangladesh has already suffered widespread outages, harming factories and schools — and, of course, even if the Strait of Hormuz were to reopen soon, the pain throughout Asia is likely to be long-lasting.

Stagflation

Oil price crises are hardly new. Because of a boycott of Europe and the United States by Arab oil producers during the 1973 Arab-Israeli War, and the rising power of the Organization of Petroleum-Exporting Countries (OPEC) cartel, the price of petroleum actually quadrupled between 1970 and 1980. That energy crisis produced economic malaise in the United States, where the economy became afflicted with “stagflation” — both stagnation and inflation, two phenomena not usually found together.

So much capital flowed to the oil states of the Persian Gulf then, particularly Saudi Arabia, Kuwait, and Iran, that President Richard Nixon and Secretary of State Henry Kissinger schemed to avoid deflation in the U.S. by pressuring those countries to buy enormous amounts of American military equipment. Over the decades, that oil-arms nexus would drive the United States toward ever more ruinous conflicts in the Gulf region, since arms manufacturers and oil companies, two of the more influential corporate sectors in American politics, had a motive for lobbying repeatedly to get Washington to intervene there. And of course, their behind-the-scenes pressure to continue the country’s forever wars in that region would be bolstered by the Israel Lobby.

The Islamic Revolution in Iran in 1978-1979, the Iran-Iraq War of 1980-1988, the Gulf War of 1990-1991, and the Russian invasion of Ukraine in 2022 were all further shocks to the energy system. The major industrialized countries responded to such challenges by increasing their fuel efficiency, while switching to nuclear power, coal, and natural gas for ever more of their electricity and heating.  In the U.S., in part because of government regulation, the average passenger car went from a fuel efficiency of 13.5 miles per gallon in 1975 to 27.5 miles per gallon by 1985, while global per capita use of petroleum declined after the 1970s oil shock and has never recovered.

The Great Hormuz Fuel Crisis

The Great Hormuz Fuel Crisis of 2026 has the potential to permanently reduce petroleum demand far more radically. The deadlock in the Strait of Hormuz has all the hallmarks of a chronic ailment. After all, Israel and Iran have struck each other four times now — in April and then October 2024, in the 12-day war of June 2025 (when President Trump joined in), and again this spring. None of those four military actions successfully established Iranian deterrence, leaving Tehran eternally vulnerable to further Israeli and U.S. strikes.

And yet Israeli Prime Minister Netanyahu’s determination to destroy Iran’s industrial base has also failed so far. Of course, that doesn’t mean the Israeli elite won’t try again once their country and the U.S. have built back up their depleted stores of interceptors and so become more confident that Tel Aviv will be able to withstand further Iranian ballistic missile and drone barrages. In addition, Iran’s new claim that, from here on in, it will have the right to charge tolls for passage through the Strait of Hormuz, though it may have some support in international law, is unacceptable to the U.S., the Arab Gulf states, and Israel, and so forms an irritant likely to lead to further conflict.

In short, Israel and the United States have destabilized the Persian Gulf and global oil and natural gas supplies for the foreseeable future.

How different today’s crisis is from the Middle Eastern one set off by Washington’s Operation Desert Storm, aimed at expelling the Iraqi military from Kuwait in 1991. Since the strength of Baathist Iraq then lay in its armored forces, the U.S. and its allies could use their own armor and air power to bottle them up inside Iraq and deny that country’s military the ability to further destabilize the Persian Gulf region.

In contrast, since then Iran has put much of its military energy into ballistic missile and drone production, weapons that, no matter what the U.S. and Israel do, can continue to strike sites across the Middle East. While petroleum prices doubled during the Iraqi occupation of Kuwait in 1990, they quickly fell once it was over. Subsequent losses from sanctions on Iraq and oil fires in Kuwait were offset by increases in OPEC production, especially in Saudi Arabia. That country is, in fact, one of the few major swing producers left in the world. The U.S. and Russia still produce a great deal of crude oil, but they use most of it themselves. On the other hand, because of its vast oil fields and small population, Saudi Arabia can vary its production, lowering it when the price falls too low for its liking and increasing it substantially during a crisis.

Phantasmagoric Assertions

At the moment, however, the Saudis can’t substantially offset the shortfall in crude oil through Hormuz because it’s caught up in the crisis itself and its pipeline to the Red Sea has limited extra capacity; nor, despite President Trump’s phantasmagoric assertions, can the U.S., since it’s not a net exporter but a net consumer of crude oil. It is, however, a net exporter of liquid hydrocarbons, including hydrocarbon gas liquids (HGLs), primarily propane, which make up about 25% of total U.S. gross “petroleum” exports. Propane, however, is mainly used for heating buildings and you can’t fill up on HGLs at the pump. Since gasoline and diesel prices are set by the world market, the U.S. production of crude will not keep American prices at the pump from rising.

The oil supply for vehicles is relatively inelastic.  And yet a world that used roughly 104 million barrels a day of petroleum in 2025 has been limping along this spring with as little as 92 million barrels a day, while chronic shortages loom, even once the Strait of Hormuz is reopened, since numerous major refineries in the region have been badly damaged. Demand also will remain relatively inelastic as long as owners locked into vehicles with internal combustion engines have to keep on buying gasoline and diesel fuel (no matter how high the prices go) to get to work, ensuring that those prices will remain elevated until the supply increases substantially.

The Hormuz crisis, however, differs from past oil shocks in significant ways. As a start, it’s happening at a time when scientists are discovering ever more unsettling consequences from fossil-fuel-caused climate change — most recently, a potentially calamitous slowdown in or possibly even future collapse of the crucial Atlantic Ocean current system by midcentury, which could have a devastating impact on the planet. As a result, wise governments have an increasing motivation to enact policies encouraging the electrification of public transport of every sort and so much else as well.

In addition, the recent conflict in the Strait of Hormuz signals an ongoing geopolitical volatility in the heart of oil country that may not subside, even though the latest oil war has arrived at a time when there is an increasingly robust alternative to gas-powered transportation in the form of electric vehicles (EVs), to which consumers are already switching in striking numbers. Countries are also turning ever more to wind and solar power, no small thing since the crunch in the Strait also affects the global distribution of natural gas from Qatar. The five countries in the European Union with the most green energy are set to save nearly $10 billion more in costs than fossil-heavy EU countries.

The Elephant in the Showroom

In the United Kingdom, EV sales spiked a record 24% in March over the same month last year. Moreover, there was a potentially game-changing turning point there, as the average cost of an electric vehicle for the first time fell below that of a similar gasoline-powered car.  Meanwhile, renewable energy generation in England also swelled strikingly.

Asia, however, was the place that saw the most dramatic changes. Vietnam now makes its own electric car, the Vinfast, and its sales skyrocketed by 127% in March. Some 40% of new vehicle sales there last year were already electric, a percentage that is expected to rise rapidly in the wake of the Strait of Hormuz disaster. Vietnamese schoolteacher Dao Thi Hue caught the mood of the moment while visiting a Vinfast dealership by saying,  “Driving an EV is so much better than driving a petroleum vehicle, in terms of costs and also in terms of saving fuel, queuing to fill up.”

Of course, the elephant in the global EV showroom is China.  In 2024, it produced more than 12 million electric, hybrid, and fuel-cell vehicles (also known as “New Energy Vehicles”). That figure amounts to 70% of global production and EVs accounted for 53% of new car registrations in China last year. Moreover, China already has the ability to produce 20 million EVs annually, so it is only producing at 65% capacity.  And the rush to buy electric vehicles isn’t just focused on passenger vehicles but also on heavy trucks.

Although domestic sales in China faced some headwinds because government incentives for such purchases lapsed late last year, March sales of 1.25 million New Energy Vehicles there were up slightly from the previous year and recent sales were up 67% from this February’s. The big news, however, is that Chinese EV growth was driven primarily by exports, a record 371,000 units in March, a 130% increase over the same month in 2025. Chinese lithium battery exports were also up in the first quarter by 50.1%, a figure that is only expected to grow as the effects of the Hormuz blockade tear through the world economy. Overall, China’s Greentech exports are surging.

Periodic Shocks

Count on this: ever more consumers are likely to purchase electric vehicles globally, since they’re immune to the periodic price shocks caused by Persian Gulf instability. Moreover, their sticker prices continue to fall. New discoveries of lithium resources and new, less expensive batteries also promise to bring their prices down even further. Moreover, China’s Contemporary Amperex Technology Company (or CATL), a giant battery manufacturer, has just announced that it has developed a new battery that will enable an electric vehicle to travel 932 miles on a single charge (which, by the way, would only take six and a half minutes to complete).

These are potentially internal-combustion-engine-killing developments. Governments of countries lacking significant oil resources like India are already committing themselves to vast build-outs of charging stations and creating ever more incentives to buy EVs and phase out gas-driven vehicles. Because the Hormuz crisis is hitting Asia (with its vast population of 4.8 billion people) hardest, the new and somewhat frantic commitment by so many of its governments and its consumers to the electrification of transport will have the effect of further dropping prices globally for electric batteries and other technology and so will be pivotal in the fight against climate change.

In short, count on one thing: however devastating the immediate effects of the disaster in the Strait of Hormuz, the latest horrific Iran war is also helping to change the world forever in ways that could prove positive indeed.

The post The Hormuz Choke Point and the Twilight of Petroleum appeared first on Foreign Policy In Focus.

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candu
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